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SUMMARY:Rock n' Roll from artist\, Sylvia Rose Novak LIVE at Canopy + the Roots
DESCRIPTION:Purchase Tickets HERE. \nSylvia Rose Novak has always come out swinging. This is as apparent on the opening track\, “Fallout”\, of her fifth studio album\, A Miss/ A Masterpiece\, as it is in the fact that she’s been releasing a full-length studio LP every two years since 2014. She’s been called prolific more than a handful of times but the Athens\, GA bassist and songwriter simply prefers to think of herself as driven.  \n Met with acclaim from publications such as American Songwriter and Billboard\, Novak’s aptly-named 2020 release BAD LUCK carefully bridged the gap between her former life as an Americana artist – a genre that she felt put into because the music industry and fans alike had issues boxing her into one space – and her foray into pure rock and roll. However\, when it comes to A Miss/ A Masterpiece\, Novak is expecting fans of her previous work to leave their preconceptions at the door and realize that the Sylvia Rose Novak they thought they knew is a Sylvia Rose Novak who never was. Novak wants to see her name in the Rock & Roll Hall of Fame\, not the Country Music Hall of Fame. She closes her eyes and sees herself selling out Wembley\, not the Ryman. A Miss/ A Masterpiece is deeply reflective of the person and the artist that Novak has always known herself to be. \nIt is high time the world meets her as she was meant to be introduced: in her favorite Black Sabbath tank top\, black jeans\, and a scuffed pair of well-loved motorcycle boots.  \n A Miss/ A Masterpiece\, though recognizable in the sense that Sylvia is and always has been a poignant writer with an unshakable sense of rhyme scheme and brilliant imagery\, is far different than anything she’s ever released before. \n The drums hit hard and loud. The bass and guitars are down-tuned and heavy. And Novak’s voice\, though clearly hers\, hasn’t so much matured as it has tapped into something raw and real that’s been buried deep within her all of these years. A Miss/ A Masterpiece is also deeply personal; touching on her fears of nuclear fallout in “Fallout”\, hitting hard notes about reproductive rights in “Stress Fracture”\, offering a glimpse into bipolar depression with “Rage”\, and penning a memoir about the time she was addicted to uppers via “The Window” – a track on which she also played violin for the first time since she put down the instrument in 2019 to focus solely on bass. \n The bass was Novak’s first instrumental love. Though she’s multi-instrumental – having learned everything from Trombone to pedal steel over the last two decades\, something about the bass has called to her since she was twelve years old and first heard the introductory bars to “Sweet Child O’ Mine.” Duff McKagan’s counter-melody reached out to her as if it was an old friend\, a kindred rebel soul. From that moment\, her relationship with the instrument has only grown and is now the bedrock for the sonic rebirth that’s so evident throughout A Miss/ A Masterpiece. \nA Miss/ A Masterpiece\, as well as the follow up singles A Better Euphemism\, Still and Evermore are now streaming on all platforms.
URL:https://canopyandtheroots.com/event/rock-n-roll-from-artist-sylvia-rose-novak-live-at-canopy-the-roots
LOCATION:the Roots
CATEGORIES:music
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DTSTART;TZID=America/New_York:20221210T190000
DTEND;TZID=America/New_York:20221210T210000
DTSTAMP:20260527T111524
CREATED:20221108T010324Z
LAST-MODIFIED:20221108T010325Z
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SUMMARY:Benefit Show :: "lighthearted" and Zion Goins play for Consider the Lily
DESCRIPTION:Purchase tickets HERE. \nConsider The Lily is a nonprofit organization that provides aftercare homes in Manila\, Philippines\, for abused\, exploited\, and trafficked Filipino girls.  \n“We believe that with Jesus\, each girl can truly be free. Daily\, we witness the restorative miracles only He can bring. Join us in defending children and putting an end to sexual abuse–one girl at a time.”
URL:https://canopyandtheroots.com/event/benefit-show-lighthearted-and-zion-goins-play-for-consider-the-lily
LOCATION:the Roots
CATEGORIES:music
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DTSTART;TZID=America/New_York:20221217T190000
DTEND;TZID=America/New_York:20221217T210000
DTSTAMP:20260527T111524
CREATED:20220106T214243Z
LAST-MODIFIED:20221114T164532Z
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SUMMARY:An Evening with Indie-Folk Artist\, Eliot Bronson\, LIVE at Canopy + the Roots
DESCRIPTION:Get tickets HERE. \n\nOver the course of five albums\, indie folk singer Eliot Bronson has created his own brand of acclaimed Americana. He’s an award-winning songwriter\, a road warrior\, and an internationally-renowned musician with a voice that swoons and sweeps\, championed by everyone from The Baltimore Sun — who’ve hailed him as “a folk singing wunderkind”— to Grammy-winning producer Dave Cobb\, whose work on 2014’s Eliot Bronson and 2017’s James placed Bronson on the same client roster as Jason Isbell\, Chris Stapleton\, and other heartfelt songwriters. \nHe turns a new page with 2020’s Empty Spaces\, a breakup album for the romantics and realists among us. Written after a split from his fiancé and a move from Atlanta to Nashville\, Empty Spaces pairs sharply-written songs about loss\, leaving\, and redemption with quietly cinematic arrangements rooted in electric guitars\, vocal harmonies\, strings\, and Mellotron. Co-produced by Bronson and longtime bandmate Will Robertson\, Empty Spaces shines a light on Eliot Bronson at his most compelling\, punctuating the woozy warmth of “Visitor\,” the heartland pop/rock of “With Somebody\,” and all points in between with the sharpest writing of his career. This isn’t just a record about empty spaces\, after all. It’s a record about the new discoveries that can fill the void. \nGet tickets HERE.
URL:https://canopyandtheroots.com/event/eliotbronson-may-07
LOCATION:the Roots
CATEGORIES:music
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