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DTSTART;TZID=America/New_York:20211204T190000
DTEND;TZID=America/New_York:20211204T220000
DTSTAMP:20260527T211211
CREATED:20211004T150726Z
LAST-MODIFIED:20211004T150726Z
UID:11337-1638644400-1638655200@canopyandtheroots.com
SUMMARY:Zion Goins :: acoustic alt-pop singer-songwriter LIVE in the Roots
DESCRIPTION:Purchase tickets HERE. \nComing straight out of the smallest town in East Tennessee\, Zion Goins is determined to move you with his music. He found his passion for music and songwriting in high school. A place where many evil\, middle-aged\, and balding teachers would try to discourage him from creating\, but he stood tall and rejected their heinous remarks. 
 His love for indie acoustic music inspired him to bring a new sound to the scene. 
 Zion writes from a place of honesty and wholehearted passion\, that is evident in his lyrics and production. He is the perfect artist to listen to when wanting to relax\, pursue your dreams\, fall in love\, or take a nice afternoon drive. 
 His emotional debut single “Don’t Want It” quickly found a home with fans\, bringing in over half a millions streams. Following this success\, he released his first EP\, “No Sad Songs” in the summer of 2020\, which has accrued nearly another 500\,000 streams and has been featured on multiple Spotify editorial playlists. \n\nCurrently a Birmingham local\, Zion splits his time between writing the upcoming full-length album\, performing\, leading Jesus-centered worship\, and slinging spro as one of Birmingham’s favorite baristas. \n\nConnect authentically to the artists by hearing them in our “speakeasy”-styled intimate listening room\, the Roots\, located underground beneath the Canopy social house. Hear the stories behind the songs as the artist(s) share their inspiration and even their heartaches. Doors open at 7:00pm; show starts at 7:30pm. Celebrating or attending as a group? Reserve balcony seating\, tables for two\, a couch or a booth as a VIP add-on or members only. Locally-sourced craft beer and wine available for purchase. Masks are encouraged; touchless temperature screening upon ticket scan. HEPPA air filtration system. Sanitizing stations throughout the building. Thank you for helping us help everyone enjoy a SAFE evening of live music. \n \nPurchase tickets HERE.
URL:https://canopyandtheroots.com/event/zion-goins-acoustic-alt-pop-singer-songwriter-live-in-the-roots
LOCATION:the Roots
CATEGORIES:music
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DTSTART;TZID=America/New_York:20211211T190000
DTEND;TZID=America/New_York:20211211T213000
DTSTAMP:20260527T211211
CREATED:20211112T165822Z
LAST-MODIFIED:20211112T171124Z
UID:11663-1639249200-1639258200@canopyandtheroots.com
SUMMARY:Lauren Morrow's Christmas Extravaganza LIVE at Canopy + the Roots
DESCRIPTION:Purchase Tickets HERE.\n“With her self-titled solo EP\, Morrow has struck out on her own\, debuting four songs that showcase her tender songwriting and inward-looking artistic vision.” – Rolling Stone \n“Lauren Morrow—known best as one-half of Nashville-by-way-of-Atlanta duo Whiskey Gentry—puts lyrical fire behind a classic country sound on her four-song solo debut.” – Garden & Gun \n“As she starts a new era of her career\, she needs something to advantageously represent herself that isn’t The Whiskey Gentry\, and this is what she accomplishes with these four songs. But most importantly\, these four songs are really good.” – Saving Country Music \nWith a high-octave range and a Georgia drawl\, Lauren Morrow isn’t here to sing a love song — she’s here to tell a story. And though she might be new to Nashville\, she’s already paved her way as one of the city’s most promising artists. You might know her as the crown jewel of The Whiskey Gentry\, who have toured with Three Dog Night\, Cracker\, and Butch Walker\, appearing on festival bills like Shaky Knees\, MerleFest\, and Bristol Rhythm & Roots (to name a few). \nIn late July 2017\, Morrow and her husband Jason travelled to Nashville to play Oh Boy Records’ John Prine Tribute night\, a intimate gathering where musicians like Jason Isbell\, Kelsey Waldon\, and the Brothers Osborne joined together to benefit legendary artist Jessi Zazu. After witnessing the supportive music community that Nashville had to offer\, Lauren and Jason\, also a member of The Whiskey Gentry\, decided it was time for a change. \nHightailing it back to Atlanta\, they quit their jobs\, packed their things\, listed their on house on the market\, and didn’t look back. Once settled into their new home in East Nashville\, they collectively decided to shift the focus on a new\, more focused project\, simply called Lauren Morrow. Founded on a collaborative mentality\, Morrow recruited an all-star lineup of Nashville’s most notable players\, including drummer Jerry Pentecost\, pedal steel player Whit Wright\, bassist Ted Pecchio\, and former Deer Tick member Robbie Crowell on keys. Less than a year later\, Morrow landed in Creative Workshop’s studio with producer/engineer Parker Cason to create her self-titled solo debut. The four song EP not only showcases Morrow’s flawless vocals and intricate songwriting\, but her willingness to take risks — an edge that makes her stand out from the Nashville norm. \nSet for release October 12\, 2018\, the Lauren Morrow EP is filled with stories; some real\, some fiction\, all universal yet personal. The album begins with the upbeat\, twang-filled “Viki Lynn\,” a sentimental nod to Morrow’s own mother that chronicles the decades of her life. The song grew out of the lyrics\, “Have you ever seen a more beautiful girl alive // than Viki Lynn in 1975” and that aha! moment that everyone has about their parents at some point. “I kept thinking about when you see old pictures of your mom when she’s young\, and you think\, ‘you’re so beautiful\,’” Lauren says\, “And the older you get\, the more you realize that your parents were people before you existed.” \nFading into the softer\, “I Don’t Think About You At All” some might mistake the pedal steel\, somber tune as a sarcastic break-up ballad\, but it’s actually the opposite — a testament to Morrow’s wit-filled\, skilled songwriting. “There’s a line in that show Mad Men where Don Draper get in an elevator with a kid he’s hired to work for him\,” she recants\, “The elevator doors close\, the kid turns to Don and says\, ‘I think you’re an asshole.’ and Don\, without any hesitation\, says\, ‘I don’t think about you at all.’ I thought\, damn that’s good.” While the core of the song was directly inspired by Don Draper\, Morrow’s lyrics depict an attitude that’s timeless\, especially these days. “The words are very true. The lyrics are exactly how I feel some people think about me\, but I have to silence the noise and not care\,” she says\, “I think the best thing to do is say I don’t think about you at all. Get your power back.” \nThe next song opens with Pentecost’s signature\, strong drum techniques and sets the tone for what Morrow calls ‘a less violent version’ of “Fist City” by Loretta Lynn. “I wrote ‘Mess Around’ when I was thinking about someone who I thought was my friend\, only to find out that they weren’t\,” Lauren explains\, “There are women in your life that are gonna lift you up\, and then there are women who are self-serving.” Adding to the lyrics is the dynasticism of each player and their varied talents; Wright came up with the chords\, and Jason Morrow invented the lick\, making this the most collaborative song on the record. \nThe album concludes with a bang\, and in more ways than one. “Barbara Jean” came to light after a night of drinking\, intimate storytelling\, and a Southern secret swept under the rug. “We had just played in Chattanooga\, and Jason went out with a friend whose family was from there. He told Jason that his whole family lived there\, except for his grandma\, who went missing 10 years ago\,” Lauren begins\, “He was like\, ‘Yeah\, her and my grandpa were in a fight\, they went to Lake Nickajack on their anniversary trip\, and my grandma never came home. And then my grandpa got married six months later.’” Coupled with details as eerie as grandma and grandpa\, Jason came home and immediately told Lauren about the (surprisingly) cold case\, which sparked a song idea. “Jason was thinking that we should write it in a minor key and it would be real sad\, but the first thing that popped into my head was that we should write it from the perspective of grandpa\, presumably the killer\, in a major key; which is what it ended up being.” \nIt’s the small details like those that set Lauren Morrow apart. Musically she’s talented\, lyrically she’s talented\, there’s no question to that; but Morrow’s ingenuity shines through in the studio and on stage. Whether she’s singing a murder ballad or an vintage\, classic-country sounding banger\, there’s a unique impression she leaves that lingers. You don’t want to miss it. \nPurchase Tickets HERE.
URL:https://canopyandtheroots.com/event/lauren-morrows-christmas-extravaganza-live-at-canopy-the-roots
LOCATION:the Roots
CATEGORIES:music
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DTSTART;TZID=America/New_York:20211218T190000
DTEND;TZID=America/New_York:20211218T213000
DTSTAMP:20260527T211211
CREATED:20211112T171712Z
LAST-MODIFIED:20211112T180213Z
UID:11668-1639854000-1639863000@canopyandtheroots.com
SUMMARY:Chantae Cann :: Atmospheric Jazz LIVE at Canopy + The Roots
DESCRIPTION:PURCHASE TICKETS HERE. \nIf we’re being honest\, no one’s ever really just heard Chantae Cann. In truth\, you experience her. \n She opens her mouth and 10\,000 hours of studied mononymous legends filter through that voice\, \nThe Stevie. \nThe Chaka. \nThe Erykah\, Jill\, India and Brandy. \nIt’s the church in her work. The courageous blend of an authentic soul choosing to exist in the midst of an often inauthentic industry. Yet somehow she chooses to find strength in her vulnerability. \nChantae Cann\, the artist\, is both jazz and soul. Rooted in gospel\, reflective of world rhythm and hip hop. \nHer debut release\, Journey to Golden\, landed at #1 on the iTunes Jazz Charts and #7 on the Jazz Billboard Charts in March of 2016\, and was a much welcomed introduction to the songstress. By the time of her follow-up release\, Sol Empowered\, we were well into the story. Earning #8 on the Jazz Billboard Charts\, this album resonates with so many because they genuinely connect to the story. And Chantae\, if nothing else\, knows how to make a connection. Whether it’s the parents who divulge the fact that their kids listen to and sing along to her songs\, or those who express that Chantae’s artistry has gotten them through some pretty tough times. Chantae makes music that serves as a safe haven for those seeking respite and reformation. All the while undergirded with a simple\, but profound truth: Love Heals.  \nWhen she’s not working\, Chantae can be found in her private time binge-watching episodes of Sister\, Sister or freestylin these bars since she is an incredible emcee in her head …for now. But even if she’s not in your Top5 Dead or Alive GOAT convo for rappers\, Chantae is one of the best kept secrets in music. She’s collaborated with PJ Morton\, Masego\, Tarriona “Tank” BallSnarky Puppy\, Foreign Exchange\, and Jonathan McReynolds. Chantae has electrified stages with Cory Henry\, Robert Glasper\, and Marcus Miller. She’s opened up for India.Arie\, Tweet\, Avery Sunshine and Lalah Hathaway. With her sights set on Barack and Michelle’s Spotify playlists and new music on the way in 2021\, it’s only a matter of time.  \nPURCHASE TICKETS HERE.
URL:https://canopyandtheroots.com/event/chantae-cann-atmospheric-jazz-live-at-canopy-the-roots
LOCATION:the Roots
CATEGORIES:music
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